![]() ![]() Thompson alludes to the touch and enduring spirit of the Haitians in using the religion to overcome the oppression of the French and win the revolution, becoming the first black republic in the New World. Magnificently drawing out the religion of Haiti as a genus of it's own, Haitian history is examined to determine how the religion came to existence. Elaborating on the spiritual, Thompson sketches a picture of the complex approximation of Haitian vodun to the religion of Kongo, Dahomey and Yorubaland. ![]() Examples of the similarity range in places from Cuba, Haiti, Brazil to Yoruba and Benin. Thompson goes into extreme detail on the differences between art in Africa and the Americas. Fighting to combat racist notions, Thompson centers the book on documenting a proud and ancient heritage of the Africans and African-Americans. ![]()
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